As we close this out “I read YA” week, guest blogger Curtis L. Crisler explains why there’s still a great disparity when it comes to YA books for young black male readers. Crisler’s bestselling Dreamist: a mixed genre novel, is geared towards today’s youth, a unique genre-bending narrative of the life of one remarkable young man, Charles Malik Jacobs.
While the popularity of YA lit is at an all-time high, the number of books featuring protagonists of color remains extremely low. YALSA’s “Best Fiction for Young Adults 2014” shows that only 3% of characters in the books on their list were categorized as “Black.” Walter Dean Myers’ recent New York Times op-ed cites stats revealing that less than 3% of children’s books were about black people. The industry perception is that young black males are not reading, so fewer resources are put into publishing books for them. One could wonder as they browse any YA section and never see a young black male face on the cover if that has anything to do with it. Add to that the lack of subject matter that speaks to their experiences as young men of color in America. Through my work, I hope to continue to converse with young black male readers to reverse this trend. Dreamist is a universal coming-of-age narrative, but I believe it provides a rare glimpse into the mind of a young person of color, something I feel is lacking in today’s mainstream YA lit. In the words of my protagonist, Malik as he learns to overcome his fears about leaving his old life behind and creating a new life for himself:
“There is nothing fading away in my life. Everything is becoming better, newer. I see beyond the fear. I accept my responsibilities. For change is change.”
I believe that readers of color should see themselves living and breathing in the books that they read, and not just as wise or wily character sketches, but as fully developed protagonists and main characters. The future of YA lit is promising, indeed, but there’s a greater promise yet to be fulfilled.
Curtis L. Crisler is the author of Tough Boy Sonatas (winner of the Eric Hoffer Award) and two other books, Pulling Scabs and WONDERKIND, a poetry collection on the musical genius of Stevie Wonder. A Cave Canem Fellow and Pushcart Prize nominee, Crisler is an assistant professor of English at Indiana University Purdue University Fort Wayne. He will be featured this fall as the “Future of African American Poetry” during Furious Flower’s decennial celebration at James Madison University.