2018-2019 Open Reading Period Deadline:
September 1, 2018
Congrats to Our Current Editor’s Choice Selections!
Naoko Fujimoto–Chicago, IL
Where I Was Born (Poetry)
Naoko Fujimoto was born and raised in Nagoya, Japan. She was an exchange student and received a B.A. and M.A. from Indiana University. Her recent publications are in Prairie Schooner, Hotel Amerika, RHINO, Cream City Review, and many other journals. Her first chapbook, Home, No Home, won the annual Oro Fino Chapbook Competition by Educe Press. Other short collection, “Silver Seasons of Heartache,” was recently released by Glass Lyre Press. She is working on an upcoming graphic poetry collection with Tupelo Press. Currently, she is a fellow editor at RHINO Poetry.
Lupe Mendez–Houston, TX
Why I Am Like Tequila (Poetry)
Lupe Mendez is a Poet/Educator/Activist, CantoMundo, Macondo & Poetry Incubator Fellow and co-founder of the Librotraficante Caravan. He works with Nuestra Palabra: Latino Writers Having Their Say to promote poetry events, advocate for literacy/literature and organize creative writing workshops that are open to the public. He is the founder of Tintero Projects and works with emerging Latinx writers and other writers of color within the Texas Gulf Coast Region, with Houston as its hub. His publishing credits include prose work in Latino Rebels, Houston Free Press, the Kenyon Review, and Norton’s Sudden Fiction Latino: Short Short Stories from the United States and Latin America, and poetry that appears in Huizache, Luna Luna, Ostrich, Revista Síncope, Pilgrimage, Border Senses, Tinderbox Poetry Journal and Gulf Coast.
CONGRATS TO 2016-2017 EDITOR’S CHOICE Lucinda Roy (FABRIC)
Lucinda Roy is an Alumni Distinguished Professor in Creative Writing at Virginia Tech where she teaches in the MFA program. Her awards include the Eighth Mountain Poetry Prize for The Humming Birds, a Discover Great New Writers selection from Barnes and Noble for her novel Lady Moses, and the Baxter Hathaway Poetry Prize for her slave narrative “Needlework.” She received the Newsmaker of the Year award from the Virginia Press Women in recognition of her memoir No Right to Remain Silent: What We’ve Learned from the Tragedy at Virginia Tech. Her work has appeared in numerous publications and anthologies. She is working on a series of oil paintings depicting the Middle Passage.
CONGRATS TO 2016-2017 EDITOR’S CHOICE Quenton Baker (This Glittering Republic)
Quenton Baker is a poet and teacher from Seattle. His work operates from the premise that poetry is a vital practice capable of rewriting narratives through the art of naming. His current focus is the lived, racialized experience in a society lacking any real dialectical framework for the opposing poles of white supremacy and black subhumanity. His work has appeared or is forthcoming in anthologies such as Measure for Measure: An Anthology of Poetic Meters and It Was Written: Poetry Inspired by Hip-Hop. His chapbook, Diglossic in the Second America, is forthcoming from Punch Press. Baker has an MFA in Poetry from the University of Southern Maine and a Creative Writing BA from Seattle University. He is a 2015-16 Made at Hugo House fellow and a 2014 Pushcart Prize nominee.
CONGRATS TO 2015-2016 EDITOR’S CHOICE Cole Lavalais (Summer of Cicadas)
Cole Lavalais is the author of Summer of the Cicadas (Willow Books, 2015). She has been awarded writer’s residencies at the Vermont Studio Center and The Noepe Center for the Literary Arts. An inaugural fellow of the Kimbilio Center for Fiction, Cole’s short stories have appeared in several print and online literary journals. Founder of the forthcoming Hollering Dog: An Online Journal of Diversely Fabricated and Surreal Truths, Cole hosts the Chicago Voices Literary Salon (a salon featuring writers of color) and teaches community-based writing workshops on the south side of Chicago. She is currently at work on her second novel.
CONGRATS TO 2013-2014 EDITOR’S CHOICE Elmaz Abinader (This House, My Bones)
Elmaz Abinader is a poet, memoirist, playwright and novelist. Her first memoir, Children of the Roojme, a Family’s Journey from Lebanon, chronicles three generations of immigrants battling dislocation and tradition. The poetry collection, In the Country of My Dreams… won the 2000 PEN Oakland Josephine Miles Poetry award. She was also awarded a Goldies Award for Literature, as well as two Drammies (Oregon’s Drama award) for her three-act one-woman show, Country of Origin. Elmaz most recently performed Country of Origin at the Kennedy Center and has toured several countries with this play and two others: Ramadan Moon and 32 Mohammeds. Elmaz’s work has been widely anthologized, most recently in The New Anthology of American Poetry, Vol. 3 and The Colors of Nature. Elmaz has been a Fulbright Senior Fellow to Egypt, taught for the Palestine Writing Workshop and a resident at the El Gouna Writing Residency on the Red Sea. Elmaz is one of the founders of the Voices of Our Nations Arts Foundation, (VONA/Voices), now in its 15th year providing workshops for writers of color. She is also a creative writing professor at Mills College and a fitness instructor at the Oakland Y. This House, My Bones will be published by Willow Books in Fall 2014.
ABOUT THE OPEN READING PERIOD
Willow Books, the literary division of Aquarius Press, reads unsolicited manuscripts during the spring and summer of each year. This reading period is only for writers who have not previously been published by Aquarius Press/Willow Books. Our mission is to develop, publish and promote writers typically underrepresented in the market, and the reading period is open to all writers from diverse cultural backgrounds. Poetry manuscripts should be in the 48-96 page range, and fiction/nonfiction should be no longer than 180 pages. Scholarly titles covering literature, arts and the humanities are also accepted, but they should be in proper format (MLA, APA, etc.). This reading period is neither a contest nor is it exclusively for first books. Rather, it is a time for us to review manuscripts by writers who have not previously been published by our press. Genre/subject is open, but no “street lit” or erotica, please. Submission Process: If you wish to have us consider your manuscript, please upload a pdf to Submittable:
There is a reading fee of $25.00. Make payment via the Submittable page. In order to be eligible for the reading period, submissions must be uploaded between April 1 and September 1 of each year. Reading fees are nonrefundable, and Aquarius Press/Willow Books in no way guarantees that a submitted manuscript will be accepted. The editors’ decisions are final.